Intersecting centuries of the 20th and 21st, the former embodied by the figure of the human laborer, the latter manifested with the habitat of the machines, the buildings, the buildings, the buildings. Skew is just that, skewed, skewing, rubbings taken from the matrices, architectural and historical markers that line and textualize the streets of the world’s city – New York, New York, (so important that even its name must be writ twice) and painted with the organic spice dream pigments of Organik.