Scream at the Librarian
Scream at the Librarian
Date
2007
Edition Size
50
Media
Letterpress, Silkscreen
Binding
Accordion, Cloth case
Format
Artist Book
Dimensions
9.75 × 9 × 0.75 in
Pages
94
Publisher
Booklyn, Inc.
Printer
Kayrock Screenprinting
Collection
Collection Development, Limited Edition Artists Books$ 2,400.00
1 in stock
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Athenaeum Music & Arts Library, La Jolla
Chapman University
Fine Arts Museums of San Francisco (FAMSF)
George Mason University (GMU)
Hamilton College
Herzog August Bibiothek
Milwaukee Art Museum
Minneapolis Institute of Art
Museum of Applied Arts, Vienna
Oberlin College
Ohio University
Princeton University
Sacramento Public Library
San Diego State University (SDSU)
Scripps College, Denison Library
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Stanford University
Swarthmore College
The British Library
The New York Public Library (NYPL)
Trinity College
University of California, Los Angeles (UCLA)
University of Central Florida (UCF)
University of Kansas
University of Minnesota
University of Southern California (USC)
University of Vermont
We have two slightly odd (a short page or two) but pristine AP’s of this alarming and best-selling Booklyn publication left.
“After five years at the central library, I seriously doubted the humanity of my peers.” – Joel J. Rane
An instant cult classic, Scream at the Librarian sucks you into the grime of downtown Los Angeles at a time when it was abandoned by all but the terminally desperate. The Screamer, Mr. Brain Damage, and The Devil are just a few of the unforgivable characters populating Rane’s real-life accounts from deep within the stacks of a library that had become a refuge for addicts and the mentally ill.
Each story is accompanied by stunning new illustrations by native Californian Cristin Sheehan Sullivan and Raymond Pettibon, progenitor of LA’s punk rock art scene (best know for his Black Flag album covers).
Printed in two-color silkscreen, the deluxe, hardcover edition is an elaborate art object, loaded with novel idiosyncrasies throughout. The front of the “inside out” cover sports a circulation card signed by author and artists, alongside an amalgam of library stickers, stamps, cataloging numbers, and thumb divots.
Designed by Amy Mees and Mark Wagner
Letterpress printing and binding by Sara Parkel
Production assistance by Eliana Perez, Cat Glennon, Candice Sering, and Jamie Munkatchy