Date
2018
Edition Size
12
Media
Inkjet
Paper
Pura Velvet, 100% cotton fibre, 310gsm, acid and lignin free
Binding
Accordion
Dimensions
34 × 1 × 18 in
Pages
10
Printer
Catherine Carnahan at Martin Studios
$ 4,200.00
2 in stock
View Collectors
Athenaeum Music & Arts Library, La Jolla
Bayerische Staatsbibliothek; Bavarian state library
Baylor University
Chapman University
Cornell University
Herzog August Bibiothek
Skidmore College
St. Olaf College
University of California, Irvine (UCI)
University of Delaware Library
Wesleyan University, Olin Library
The book is an alternative accordion fold structure with multiple fold-down pages that form both an evocative and intimate page-turning experience or an exuberant, immersive gallery photo/sculpture installation. The book serves as a provocative vehicle for Weber’s photographs of the Occupy Wall Street encampment, the Eric Garner protest marches in New York City, a protest march of the Tibetan community in Brisbane Australia, the Woman’s March in Olympia Washington (in 2016 after Donald Trump was appointed President-elect), as well as some other personal protests. The text is all found on the numerous signs of the protesters and in the ubiquitous signage of Manhattan. The piece is intended to seed the concept of intersectionality into the consciousness of the viewer.
Elegantly print-readied and printed by Catherine Carnahan at Martin Studio in Murphys, CA, on an Epsom 9880 using 8-color, K3 UltraChrome ink and technology.